Midwife in the Tire Swing
Chapter 2—Gilgamesh among the Tinkers
Lucian Hobart, known as Lucy, paused his walker at the edge of the state road, just enough off the asphalt that if he was hit by a passing car, he could sue and win.
“Jesse Ventura.” A three-legged cat that walked at his feet looked up questioningly. “A wrestler,” said Lucy. “He was governor of some state once. Minnesota—Wisconsin, I think. Could be North Dakota. Wha’d they say about North Dakota? You know that, Molly?” The cat rubbed affectionately against one large, red wheel. “Hell with the fires gone out. That’s what they said—some general in the Indian wars.” He stumbled and caught himself. One of his wheels was stuck in a dip in the pea-sized gravel of the shoulder. “Nice, shit.”
The cat was a Burmese shorthair as far as anyone could tell. She stalked small things in tall grass, ate dry kibble and was a vegetarian by choice. Sixteen mousetraps hung by strings from the handlebars of Lucy’s walker. His walker was an appalling construction, but he had come to love it the way old men and small boys will with machines. The walker had four ball-bearing wheels that swung on universal pivots, big enough to get him out of anything but this one particular sinkhole, it would seem. Lucy Hobart was 92 years old and expected to be feeble.
The process of getting the Hobart patriarch on wheels was begun by Ed Hobart, Lucy’s grandson. Ed had a program for designing steel structures installed on his computer at the office; the program was made available by the Department of Agriculture in the hope county extension officers would encourage farmers to get creative while planning future construction. The old-time wood frame outbuildings rotted from the ground up. The good old pole barns of Willipaq County slumped into the ground in 30 or so years, about half the anticipated lifespan of the newer, modular steel-frame structures the government encouraged. Ed’s design program also worked just fine with devices to assist the halt and lame. Ed sent Lucy a note.
“God damn it—that’s the way things are supposed to rot,” said Lucy’s return note. “From the ground up. Look at me.” When the banks foreclosed, they liked the steel-frame buildings. They could be disassembled and carted off on flat-bed semis to a fresh location after the inevitable auction.
Lucy used the walker to quiet his wife who, in her moments away from dementia, was a caring person and solicitous of her husband’s well-being. There was a bicycle-style hand brake on the left handlebar in case the operator might be overtaken by weariness at the edge of a precipice. The shop class had added a shiny Masonite seat that faced front. “That’s a sure-fire NASCAR wheelchair,” said one student engineer from the Vocational Technical Institute where Ed’s shop class built it.
“Jesse Ventura,” said Lucy to the cat. “Just another name. I do recall a picture of him in his wrestling getup. With a nice blond with her boobs out.” Lucy was practicing remembering things—ephemera from the forefront of his cerebral cortex. This was a game he played, for with the onset of his wife’s senile dementia, he became uneasy with his own memory.
“He was a Navy SEAL.” The cat burraowed.
At their feet a rush of water and brownish effluent poured out of a pipe that protruded from the river bank. “Sarah’s shit,” said Lucy admiringly and looked up the hill at the house. Sarah Drye was to come for a stay. Molly the cat assented, burraowed and rubbed, then disappeared into the tall brown stalks of last fall’s sere grass. Lucy checked up the hill for any telltale flutter of a watcher at Cat’s window. The bluish-white glow of a television screen seeped through the drawn blind, pumped up and down with the jump-cut transitions of a commercial break. “TV’s on, we’re safe from prying eyes. Remember that, Miss Cat.” That the name of Lucy’s wife, Catherine Armstrong Hobart, and the species of Molly the barn cat were the same had never occurred to anyone. Cat Hobart had a middle name—her father’s gift and her dowry. The Armstrongs were a mighty clan. That none of the Hobart men, through all their generations, migrations and quiet anonymity, had had a middle name had been true almost without exception. That made the Hobarts a less mighty clan in Cat Hobart’s view. That her child would not have a middle name had caused Cat some concern.
“Ian Emory,” Lucy said. Ian Emory Hobart, the child of Elliot and Philomena, had a middle name. Ed Hobart, Ian’s kid brother, did not. “I know him. He is a moocher, a world-class loser, my grandson Ian. Volunteered for Vietnam, returned alive and has been drunk ever since. The expected health problems. Last year he switched from booze to amphetamines as the drug of choice. He’s a changed man, dropped sixty pounds. But he is as crazy as ever. He has a regular route of second hand stores, a store for every day of the week. Buys Aloha shirts. He has plans to move to Hawaii and sell them to tourists. My grandchild. I have a list somewhere, grandchildren, groceries, and things to fix around the house.”
A life defined by memoranda. Lucy’s fingers closed around the crumpled ball of notes in his pocket. “In case I forget,” he called to the cat in the weeds. “Balled, crumpled. The precise crease demonstrates the respect due to a shopping list.” The notes made a lump in Lucy’s pocket, created a presence that was hard to ignore. Lists lay flat, were ignored, and went through the wash. The writing on Cat’s shopping list had faded and puckered with washing. The rest? Ever-fresh forget-me-nots, billets-doux for Lucy from Lucy, to be read and discarded.
“Memory games,” said Lucy Hobart. “Like Jesse Ventura. Like crossword puzzles.” The cat interpreted this as a summons and poked her head through the stubble of last fall’s cover crop. “Can’t abide crossword puzzles. No, Molly, I’ll call you when it’s time. Go on pretending you are eating mice.”
Lucy gave his walker a shake. Sixteen mousetraps jiggled, swinging together, clunking like a sad wind chime. Lucy checked again to see if his wife was watching from the house, then sat down on the Masonite seat of his walker and began unstringing the traps. From a pocket of a threadbare cardigan he extracted a yellow clump of Romano cheese and undid its film wrapper.
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